One of my readers has described my book Make a Joyful Noise as “quaint”.
I have been thinking more about what drove me to write this “quaint” novel, prompted in part by a recent interview with author Julia Hughes in which she asked me who or what was the inspiration for my writing.
Musicians’ behaviour has always fascinated me and I have explored this in the novel, sending various characters up when I feel they deserve it. Musicians have quite a challenge as they need to develop a very thick skin to survive, along with a strong sense of self worth that can easily lead to a seeming arrogance, and yet at the same time they have to function sensitively, thoughtfully and as part of a team when they perform. People can get this the wrong way round and be terribly sensitive to their own needs and feelings, but not be able to function in a group as they lack empathy. This can lead to some fairly spectacular personality clashes and misunderstandings, not to mention musical punch ups, and has been a rich source of humour for me. The anti-hero Tristan Proudfoot in my novel is an extreme example of a man sensitive to his own feelings and needs before everyone else’s.
This reminds me of something I heard an adjudicator say at a festival once.
“No one likes a show off – except on the stage!”
Please everyone, don’t forget to notice when you leave the stage.
Oh and before I go, just a word about the characters in my novel, to set the record straight. Many readers have told me that they recognise characters in the novel as various musical “types” and have certainly met people just like them (good, so it seems realistic!). Others have told me they know exactly who the characters are (for example Tristan is apparently “definitely” Simon Rattle– he isn’t by the way! Nothing like.). Make a Joyful Noise is a work of fiction. That means it is all made up.
Actually, I think I like “quaint” as a description of my novel, Make a Joyful Noise. It seems to fit.